Watercolor Classes and Workshops Colorado Springs

Lorraine Watry Watercolor Workshop ©

I have just finished setting up my 2014 Summer Watercolor Classes and Workshops. As you can see from the image above. I use a video camera and tv screen at my home studio classes to film and provide a view of what I am working on for my students. My classes are small, usually limited to 6 students. Thus, I can give lots of individual attention to each student. I find with watercolor that the students learn best when they can see a demonstration, so I demonstrate often.

2014 Summer Classes and Workshops:

1st Monday of the month Open Studios - 1hr from 6-7pm

Watercolor Classes for Beginners - Thursdays, 6-9pm, June 19 to August 7

Shadows As A Subject Watercolor Workshop - June 28 and 29

Background Figures Watercolor Workshop - July 18, 19, 20

Shiny Metal Watercolor Workshop - August 8, 9, 10

Water Reflections, Hard Edged and Colorful Watercolor Workshop - August 22, 23, 24

If you are interested in taking one of the above classes or need more information, please click on the following link to be taken to my website with all of the class and workshop information. Class Link

Painting Metal in Watercolor - French Horns

3 Figures in French Horn Painting LWatry ©2013

I started my new band painting on November 1, 2012. I worked on it throughout November and December between holiday preparations and other events. I am now approximately two-thirds of the way done. I thought I would post the process and explain some of the steps.




This is a painting of french horns. I wanted to paint them because I loved the repetition of the instruments and the girls hands, and the shiny instruments! I took a long time on the drawing and used a grid to sketch the piece from a photo that I took. Next I transferred it to a full sheet of watercolor paper (140lb. cold press Arches). I then used masking to mask all of the highlights on the horns, so that I could get that sparkle on the shiny metal when I removed the masking at the end.

I started with the figures in the painting by washing in a light skin tone over their hands, arms, and faces. I wanted to make sure before I got to far into the painting that I was getting the figures to look the way I wanted. If they weren't working out, I could start again without having invested too much time into the piece. Also, their skin tones were one of the lightest colors in the painting and I usually start with my light colors. I have slowly added layers to the figures and I may still add another layer of color after I get more of the values into the painting. I would rather add the skin color a little at a time rather than make it too dark all at once.

French Horns LWatry ©2013

In the next image you can see that I have started to work on the horns and a little bit of the darks. I needed to put some of the dark in so that I could start judging my other values by them. You can see the chart I made in this picture to test out black mixes. I have an early post that talks about black mixes. You can see this post by clicking here. You can also see my photograph that I am painting from. I adjusted some of the horns and added some more blue reflection that is not in the original photo.

French Horns Closeup LWatry ©2013

French Horns with Nook LWatry ©2013

There is a lot going on in this painting in the horns and the reflections so it is nice to have some resting places for the viewers eye like the faces, arms and dark areas. However, I don't want my dark areas to be flat black. I want some color variations to give interest to the piece. You can see where I have removed some of the mask from the highlights on the closeup image at the left. I was getting a little anxious to see how they would look. It also helped me judge if I was getting the color around those highlights dark enough. Here the figures faces are still sort of light. I have since added another layer to the skin.

In the next image you can see that I have now started adding even more dark to the background. It doesn't show up in the picture, but the dark goes from a cool black at the upper left corner to a warm burgundy/black in the lower left corner. I have also begun to work on the dark reflections in the horns themselves. I am using a mix of Ultramarine Blue and Pyrrol Orange for the dark in the horn. I used a mix of Prussian Blue and Alizeran Crimson for the background dark. I also started using my Nook to help me see my photo better. I uploaded my photo onto the nook and I can enlarge it to look at sections of the horns to better understand the colors and what I am painting. Also, I get a truer sense of the colors on the nook than from the print of my photo.

French Horns LWatry ©2013

The final image is showing where I am currently. The photo is a little light, so it is not totally representative of the true colors. I have a lot more darks to put in on the black dresses of the figures and I have a lot of the center of the horns to complete. I will continue to try and post this paintings progression.